1. |
A Foot a'Tappin' Boogie
03:46
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A Foot a'Tappin' Boogie
by Phill Raymond
v.1
Geoff is the chef, he plays his guitar sweet.
Yeah Geoff is the chef, he plays his guitar sweet.
When he plays his guitar, the people come out on the street.
v.2
Barry is the man who plays his bass real low.
Yeah Barry is the man who plays his bass real low.
When he plays his bass he's the man you really want to know.
ch.1
They played a foot a'tappin' music, they played a foot a'tappin' song.
They played a foot a'tappin' music, and everybody sang along.
Guitar solo
v.3
Winston is the guy he plays his drums real cool.
Yeah Winston is the guy he plays drums his real cool.
When he plays his drums he ain't no pool shooting fool.
v.4
Dutch was the man he played them blues real nice.
Yeah Dutch was the man he played them blues real nice.
He could hold down the blues but he could'nt hold down no wife.
ch.2
They all played in the blues club, they all played in the band.
They all played in the blues club,and out front was the dutch man.
ch.1*repeat
They played a foot a'tappin' music,they played a foot a'tappin' song.
They played a foot a'tappin' music and everybody sang along.
They played a foot a'tappin' music and everybody danced along.
They played a foot a'tappin' music and everybody came along.
Writer: Phillip K. GOTTSCHALK (APRA/AMCOSS)
Work ID: GW48165749
ISWC: T-061603969-0
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2. |
Take The Tin Lizzie
03:12
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Take The Tin Lizzie
by Phill Raymond
Chorus:
We'll take the tin lizzie and head on down the road
We'll take the tin lizzie and head on down the road
Heading to somewhere we never been before.
v.1
You snip the line I'll put the clothes in the bag
You snip the line I'll put the clothes in the bag
It's the only way honey, we ever get a shirt on our back.
Repeat Ch.x1
v.2
You grab the chickens I'll grab the hog and the geese
You grab the chickens I'll grab the hog and the geese
It's the only way honey, we ever get something to eat.
Repeat Ch.x1
Guitar Solo
v.3
Gonna find us a place we like where we fit on in
Gonna find us a place we like where we fit on in
Meet a whole lot of people who don't know where we been.
Repeat Ch.x2
Writer: Phillip K. GOTTSCHALK (APRA/AMCOSS)
Work ID: GW48165750
ISWC: T-061603970-3
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3. |
The Big Red Ball
06:44
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The Big Red Ball
by Phill Raymond
v.1
It's been ten long years baby,
since you walked out my door.
It's been ten long years darling,
since you walked out my door.
It took you ten seconds honey,
to make up your mind to come back for more.
v.2
They say greed makes a man hungry,
and wine makes a woman weep.
They say greed makes a man hungry,
red wine makes a woman weep.
I spent many a sleepless night baby,
wondering how I'm gonna make ends meet.
Ch.x1
Then along came a big red ball,
and it bounced right off my roof.
Yeah along came a big red ball,
and it bounced right off my roof.
I pulled that ticket right out of my pocket,
six numbers telling me I don't need anymore proof.
I cracked the big one baby!
v.3
Now all my moneys gone baby,
you helped me clean out my bank once again.
Yeah all my moneys gone baby,
we threw out the window again.
Well you packed up your bags again honey,
and you walked out of my life again.
v.4
It took you ten seconds honey,
to pack your bags and leave me once more,
It took you ten seconds honey,
to pack up your bags and leave me once more,
Well guess what?
That big red ball came back again momma,
and you ain't never coming in my front door.
Once bitten, twicwe shy.
Writer: Phillip K. GOTTSCHALK (APRA/AMCOSS)
Work ID: GW47964614
ISWC: T-061590518-4
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4. |
Move With Me
03:59
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Move With Me
Performed by Phill Raymond
Written by Tim Buckley
v.1
I went down to the meat rack tavern,
And I found myself a big ol' healthy girl
Now she was drinkin' alone, what a waste of sin
So I went on over to sweet talk that girl, Lord I moved on in
I whispered come on now
Ch.
Move with me, move with me
move with me, move with me, darlin'
Ah don't be shy
I'm wanna mess witcha,
mess witcha, mess witcha
Mess witcha, mess witcha mind
v.2
Well I don't care if you tell me you're married
Cause I can be your kid man when your husband ain't home
Now if he should walk in you just tell him I'm your houseboy
And that you just can't stand to sleep here alone...no more
Ch.
Come on and wanna move with me,
move with me, move with me, darlin'
All night long
I'm wanna mess witcha,
mess witcha, mess witcha
Mess witcha, mess witcha mind
v.3
Well when he finally walked in, And Lord that man filled up the doorway
Well he grabbed me by my throat, And bounced me down the stairs
And Lord I swear, he broke every bone in my body
But it was worth every second that I was there
Cause she would whisper to me
Ch.
Move with me, move with me,
move with me, Move with me darlin'
All night long
I'm wanna mess witcha,
mess witcha, mess witcha
Mess witcha, mess witcha mind
Well now I love me, I love me that woman
Yeah I love me, I love me that woman
Well now I love me, love me that woman
Yeah I love me, I love me that woman
Reproduced under licence from APRA AMCOS
Audio Manufacture Licence Production #: AU18272190
(00071904874 MUSHROOM MUSIC PTY LTD)
Album: A FOOT A’TAPPIN’ BOOGIE
Track 4. MOVE WITH ME
Writers:BUCKLEY T/GOLDSTEIN J
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5. |
Blue Morning
03:32
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BLUE MORNING
Phill Raymond
V.1
Every day in my life a new sensations coming on.
Every day in my life a new sensations coming on.
Every morning I wake up I just don't feel so warm.
And, I haven't felt the same, since you been gone.
Chorus
Blue Morning coming 'round
Blue Morning coming 'round
Blue Morning coming 'round
Watch out!
V.2
Now the people in the street, keep on passing by,
Yeah, the people in the street keep on passing by.
All the flash little dollies all winking their eye,
and the old hobo sits there wondering why.
Repeat Chorus
Solo -played over Verse + Chorus
Repeat 1st Verse
Last Chorus
Blue Morning coming 'round
Blue Morning coming 'round
Blue Morning coming 'round boy
Watch out! ||: Coming 'round boy, coming 'round
Writer: Phillip K. GOTTSCHALK (APRA/AMCOSS)
Work ID: GW14488202
ISWC: T-060314572-7
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6. |
Hey Mona Lisa
04:06
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Hey Mona Lisa
by Phill Raymond
v.1
Hey Mona Lisa turn your head to the right
I've been trying to find an angle to take you home for the night
I'll make you immortal you will see
Hey Mona Lisa come along with me
Hey Mona Lisa turn your head to the right
v.2
Hey Mona Lisa take a break for awhile
I've been painting too long now I can't capture your smile
Well the lights not right the rooms too dim
Hey Mona Lisa let's go for a swim
Hey Mona Lisa gotta lay my brushes down
Guitar Solo
v.3
Hey Mona Lisa I heard your man came home
He's been away too long now he can't leave you alone
Well I'm sitting here by the candle light
Do nothing but stare at your portrait all night
Hey Mona Lisa gotta lay my brushes down
Outro
Hey Mona Lisa Hey Hey Mona Lisa
Hey Hey Mona Lisa Hey Hey Mona Lisa
Writer: Phillip K. GOTTSCHALK (APRA/AMCOSS)
Work ID: GW44265732
ISWC: T-061413263-6
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Phill Raymond Melbourne, Australia
PHILL RAYMOND Singer Guitarist Songwriter
With a passion for music deeply rooted in the blues, Phill
Raymond has made a name for himself through his CD releases and captivating live performances. His repertoire showcases a blend of original compositions and carefully selected cover versions, paying homage to the influential artists who have shaped his musical journey.
Visit phillraymond.com
... more
Phill Raymond recommends:
Lady, Give Me Your Key: the unissued 1967 solo acoustic sessions
by Tim Buckley
I first heard Tim Buckley in the late 1960s and always admired his writing style. Long on my bucket list I finally recorded one of his songs in 2015.
go to albumIf you like Phill Raymond, you may also like:
Jack Chrome and the Darkness Waltz
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Russell Morris and Rick Springfield pair grave tales with smoldering blues on this Día de los Muertos-inspired collaborative LP.
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The King's Blues Box
by B.B. King
Cleopatra Blues recently unleashed a barrage of reissued essentials from Bo Diddley, Lightnin' Hopkins, John Lee Hooker, Junior Wells, etc.
go to album
Cerebral palsy curbed his ability to play guitar the conventional way, so Nagoda learned double slide, this is his debut LP.
go to album
The Canadian singer marries the sound of classic folk and jazz with a modern-day spin.
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Inspired by their travels in New Orleans, Naples, and the UK, the “Italian-hills country blues” duo pen a global love letter to roots music.
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